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http://www.h-dupont.com/contenu/images_produits/41/a56z_Cireadessiner.jpg
Designing wax
(250, 500, 1000gr)
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With a mixture of wax and paraffin, with more wax than paraffin, this product will act as a resist to totally prevent the colour from dyeing the fabric. It is perfect for a precise design or for work using a tjanting. You will achieve a fine crackle effect.
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http://www.h-dupont.com/contenu/images_produits/42/paek_cireacraquele.jpg
Cracking wax
(250, 500, 1000gr)
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Made from a mixture of wax and paraffin. More porous and brittle than the designing wax, it is mainly used to obtain a bolder crackle effect on fabric, or for less precise drawing.
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http://www.h-dupont.com/contenu/images_produits/43/x2gn_cireEnPoudre.jpg
Powdered wax
(250, 500gr)
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Of an excellent quality, this is very pleasant to work with. It melts very quickly as it is in a powder format. You can use itfor normal batik techniques. It will give a fine crackle effect.
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http://www.h-dupont.com/contenu/images_produits/44/krue_cireliquide.jpg
Cold wax
(250, 1000ml)
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Ready to use, this does not need any heating. You can apply like normal batik wax, with a brush, sponge, pad etc. To achieve very thin lines, you can use an applicator bottle (like resist). It will allow for all the usual batik techniques. Wait for it to dry completely before applying colours.To remove the wax, scrape the fabric area with a supple artists’ knife (like a palette knife). To remove any remnantsiron the fabric between two sheets of newspaper. Then fixthe colours by steaming or ironing according to the type ofcolour. Clean tools with hot water.
